KY - Bootlegs

A lot of people ask me for a trade. When it comes to Kristeen's material, I'm very strict - I don't make any copy of these recordings unless you prove that you own any album she has released so far.

Imo the quality of a musician is revealed live on stage, without the safety of the studio and its technical equipment. And Kristeen shows an incredible quality! Discs from her gigs in Portugal and some "classic" performances in St. Louis.
Carviçais/Pt 6.8.03	Lisboa/Pt 6.6.03	Lisboa/Pt 29.5.03	Leiria/Pt 10.5.03	St. Louis 31.12.02	St. Louis 16.8.02
"Bootlegs are what they are. The concept has been around forever. I think bootlegging was probably more exciting when the technology was less available... and harder to smuggle into shows. I can't listen to my own... it's painful! (Then again, I can't listen to my albums either,) but if people like them, I'm fine with it. If an artist thinks that bootlegs are going to handicap their sales, then I don't think the artist could be very compelling or creative. A bootleg is like a souvenir. It doesn't replace the "product" or "work" or "performance" itself. If someone wants a bootleg, it's because they like the original so much." (KY 2004)

Festival Carviçais Rock Carviçais, Portugal 6.8.03

Wake the dead
Breasticles
Commit adultery
Lie
Devil girl
21st century ride
We are the world (Why KY?)
Rock Radio
Saviour
Touch tongues

bonus:

Untitled (From the "Night Times Auralzine" complimentary CD)
Top rock girl (Why KY?) (From "The Rare Tracks")
The last thing you need to hear (From "What's The Word, Vol I")
The great curve (with Declan Sutcliff and the Imposters, from "Don't Worry about the Coverband- A Tribute to the Talking Heads")