Where to begin? It is not alone the acrobatic, grouchy voice of Kristeen Young, that nails one down to the ground. It is also her aggressive piano play, that muzzles one at the moment. It is the violent sound producer Tony Visconti added to the 14 tracks from "Breasticles". THE Tony Visconti, who accompanies David Bowie since his earliest days like a shade.

Apropos Bowie: The Thin White Duke was the one who certified the US American Young the "greatest voice of the new millenium". And who secured himself this voice fight away for his album "Heathen" two years ago . In return Bowie contributed the guest-vocals for "Saviour" that initially reminds one of Alanis Morissette's "Thank You".

"Breasticles" is a radical statement: for compromiseless passion, provoked fantasy and lurid-multicolored feverish dreams. All packed into phaenomenal rocksongs, that would also suit Lisa Dalbellol. Dalbello? The exeptional Canadiansinger, who got her 15 minutes of fame with Mick the Ronson, another Bowie companion, in the middle of the 80's. But that is another story.

What counts here and today is the eccentric, explosive "Breasticles".